Stuart Bertolotti-Bailey
- 2023 Made Redundant
- 2022 Institute of Contemporary Arts
- 2022 Black Whisky
- 2022 Design Research Unit +
- 2021 Forensic Architecture Reports
- 2021 Excavate! The Wonderful and Frightening World of The Fall
- 2021 An Edition
- 2021 Dear Friend
- 2021 Nina Simone’s Gum
- 2020 A Terminal Degree
- 2020 Character Development
- 2020 Song Work
- 2018 Dear Subscriber
- 2018 Dummy Text
- 2018 Sanya Kantarovsky: No Joke
- 2017 Systemics, (or, Exhibition as a Series)
- 2017 Silke Otto-Knapp: A series of images following one from the other …
- 2016 Procedural
- 2016 Calling Cards
- 2016 So-called Ephemera
- 2016 Three Mulligans
- 2016 The Contemporary Condition
- 2015 On a Universal Serial Bus*
- 2015 World Format
- 2015 Continental Drift
- 2014 Hardy Perennials
- 2013 The Truth About Hollis
- 2012 Lower-case ethics
- 2012 Counter-Production
- 2012 Letter & Spirit
- 2012 It is the Outsidedness Flavor of It
- 2011 The New Mafia Rules
- 2011 The Serving Library
- 2011 From the Toolbox of a Serving Library
- 2011 The Last ShOt Clock
- 2010 Meta-The-Difference-Between-The-Two-Font
- 2010 The Curse of Bigness
- 2010 An Octopus in Plan View
- 2010 “Identity”
- 2009 Dave Hullfish Bailey: What’s Left
- 2009 (Only An Attitude of Orientation)
- 2008 W.A.S.T.E. Proof Prints
- 2008 Science, Fiction
- 2008 The First/Last Newspaper
- 2008 True Mirror
- 2007 Right to Burn
- 2007 Towards a Critical Faculty
- 2007 False Advertising
- 2007 Ryan Gander: Appendix Appendix
- 2007 Frances Stark: Collected Works
- 2007 Questions Without Question Marks
- 2006 Dexter Sinister
- 2006 Mark E. Smith / Wyndham Lewis
- 2005 Never Mind the Bollocks (After Jamie Reid)
- 2005 On Biography: Masculin, or Public Image Limited
- 2003 Way of Working
- 2003 Ryan Gander: Appendix
- 2002 Metropolis M
- 2000 Dot Dot Dot
